Tuesday, February 06, 2007



Mister Zero is at his desk. He has decided to write down his thoughts of the MurkyWorld that he and Joshua Kane inhabit. Mister Zero is pleased that the family are away for a long weekend, so he can be alone, then he can concentrate on his plans, his creativity and his book. Mister Zero gazes out of his window and the unseasonable weather conditions and wonders…

He always thinks of himself as a machine. He is acutely aware of time and how it is utilized. There is a clock in his head, it ticks and tocks, a metronome of self-awareness and grandiose assertions. He talks to himself in third person singular. It lends objectivity to what He thinks, as though it comes from an external source, from something else. Mister Zero likes to disguise himself, to hide his self from the other self. It is the pernicious and all-pervasive art of unbeing. Mister Zero likes to think about himself in terms of automata. There is something aesthetically compelling in metal precision, in the impartiality, in the harmonious embodiment of the abstract. Tron Machines are powerful and emotionless. Machines can make humans bleed. They are his world. They allow him the tranquil luxury of pleasure and pain. Mister Zero has many dreams, his reality is the nightmare. His fantasies and realities take him away, from the atavistic social milieu of his existence, from the sweat and stench of suburban housewife- and into the perfumed existence of death, blood, flesh and cruelty.

So, even in the darkness of his deepest hatred he is never afraid. He carries with him a metal constitution, a robot countenance, a murky knowledge, a grand theory of immorality and his very own divinity – his self. Mister Zero spends much time in basements and large white rooms. It is his void, for him his existence is a gaping abyss, silently audible, in his imagination, He tears open young girls chests apart. To some it is horror, for Mister Zero and his collaborator Joshua Kane (numbers 1 to 13), it is a transubstantiation of whore blood and flesh and changing it into something primordial and screaming, dead rotting art on the bodies of teenage girls.In many ways, he and Joshua Kane (numbers 1 to 13) seem to be devoid of emotional expression and are abusive to the extreme. There is something exciting for them in the idea of sexually abusing teenage girls, with their delicate soft skin, doll like faces and their small tight cunts and pert breasts – the urge to physically, verbally and psychologically torment these girls is overpowering.

Mister Zero realises that he and Joshua Kane are narcissists, paranoids and schizoids. At least that's what he wanted to believe. Narcissists have sharp defences – because it is true to blame others for their troubles. In Mister Zero’s case, psychological theory itself was on his side. The message was clear: the men of code who abuse young girls in their teenage years (16 - 19) tend to be adapt at developing personality disorders into the teenage girls, thus making them part of the MurkyWorld. They become part of the creativity, imagery and art of Mister Zero and Joshua Kane (numbers 1 to 13).

Mister Zero decides to text Joshua Kane with the message. The message of truth and lies,Kane, I want to tell you how much I am addicted to the idea and the realities of inflicting pain. To me, it is a pleasure – to give it to the little sluts. Their pain remains isolated - they live in anguish, in tribes of hurt, whole lumps of flesh in exquisite agony. I experience them insulated from their kin. They rush to beg me to stop and through the demolished floodgates of my mind. I punish them more and more. - This is my narcissism, there to contain the ominous onslaught of stale emotions, repressed rage, and inflict injuries on their bodies, that they will remain in my psyche forever. Pathological narcissism is useful - this is why it is so resilient and resistant to change. When it is "invented" by the tormented individual - it enhances his functionality and makes life bearable for it. Because my punishments upon them are so successful, it attains religious dimensions - it become rigid, doctrinaire, automatic and ritualistic.

In other words, it becomes a PATTERN of behaviour. I am a narcissist and I can feel this rigidity as though it were an outer shell. It releases me. It empowers me. It is often unprohibitive and uninhibitive. I am a man of code and I am able to do certain things. I am the torturer of the injured mind and the mutilator of the young soft-fleshed bitches who I then force to engage in certain activities. I react with rage when they do not comply their mental edifice to support my compulsions and therefore they are subjected with scrutiny and criticism - no matter how benign. Narcissism is not ridiculous. I am pompous, grandiose, repulsive and contradictory.

There is a serious match between who I really am and what I really achieved - and how I feel myself to be. It is not that I THINK that I am far superior to other humans intellectually. Thought implies volition - and willpower is not involved here. My superiority is obvious to me; it is a part of my every mental cell, an all-pervasive sensation, an instinct and a drive. I know that I am entitled to special treatment and outstanding consideration because I am such a unique specimen. I know this to be true - the same way you know that the scum and the awful who surround us, cause us much anguish. We are similar you and I, we are the ying and the yang of the MurkyWorld. It is an integral part of my identity.

More integral to me than my life of twine.

This opens a gap - rather, an abyss - between me and other humans. Because I consider myself so special, I have no way of knowing how it is to be THEM. In other words, I cannot empathize. Can you empathize with an ant? Empathy implies identity or equality, both abhorrent to me. And being so inferior, people are reduced to ugly, two-dimensional representations of functions. They become instrumental or useful or functional or entertaining - rather than loving or interacting emotionally. It leads to ruthlessness and exploitative ness. I am not a bad person - actually, I am a good person. I have helped people - many people - all my life. I release them from their restricted lives, with my experiments upon their flesh and minds. So, I am not evil. What I am is indifferent. I couldn't care less. I am Mister Zero and I exist to secure attention, gratitude, adulation and admiration. Because I am a creative genius and because it is the fastest and surest way to get rid of the THEM and their incessant nagging. Regards. ZERO.

Mister Zero press sends and wonders which Joshua Kane will reply. Mister Zero once again gazes out of his window. His thoughts are busy, he must attend to business, and there are things to do in the basement of his little shop of twine and in the dungeons of his control tower. He is designing some new surgical instruments and hopes to finish them all within the next 48 hours. Then his phone beeps. Joshua Kane has replied.Mister ZERO, I realize these pleasant truths cognitively - but there is no corresponding emotional reaction (emotional correlate) to this realization. There is no resonance. It is like reading a boring users' manual pertaining to a computer you do not even own. It is like watching a movie about a movie. There is insight, an assimilation of these truths. When I write this now, I feel like writing the script of a mildly interesting docudrama about the relevance of dead flesh. It is not I. I am the I and eye am the one that takes similar pleasures, the same pleasures as YOU.Still, to further insulate myself from the improbable possibility of confronting these facts - the gulf between reality and grandiose fantasy (the Grandiosity Gap, in my writings) - I came up with the most elaborate mental structure, replete with mechanisms, levers, switches and flickering alarm lights. My narcissism does two things for me - it always did: Isolate me from the horror of facing reality; allow me to inhabit the MurkyWorld of ideal perfection and brilliance. I am what psychologists know as the "Real Self".

We as Narcissists are not prone to "irresistible impulses" and dissociation (blanking out certain stressful events and actions). We are more or less in full control of our behaviour and acts at all times. But exerting control over another, especially the teenage girls, requires an investment of resources, both mental and physical. We may regard this as a waste of our precious time, but the act of humiliating a teenage girl is a delightful thing to do. We do lack empathy; we just don’t care about other people's feelings, needs, priorities, wishes, preferences, and boundaries. As a result, we are considered to be narcissists and are told that we are awkward, tactless, painful, taciturn, abrasive and insensitive. THEY are wrongwe are men of code and we have controllable rage and grandiose fantasies. You Mister Zero are also an obsessive-compulsive. And I am a Sadist. Yet, as men of code we should not be held accountable to the vast and overwhelming majority of the Scum and the awful. For they deserve our contempt and hatred. Sometimes, even during the worst explosive episode, we are able to tell right from wrong and reign in our impulses. Though we may pretend otherwise in order to terrorize, manipulate and coerce our human environment into compliance. True, we may be narcissistic in our ability to "control" grandiose fantasies. But many narcissists are perfectly capable of anticipating the consequences of their actions and their influence on others. Actually, narcissists are "X-ray" machines: We are an example of that for we are very perceptive and sensitive to the subtlest nuances. We are men of code and we do not care, For THEM, the humans who are dispensable, rechargeable, and reusable. They are there to fulfil a function: to supply us with flesh, with fear and give us adoration, admiration, approval, affirmation, and blood. They do not have an existence apart from being our playthings’.Be seeing you. KANE. (Number 11)Mister Zero reads and notes, correctly, that he and Joshua Kane (numbers 1 to 13) like to victimise, plunder, intimidate and abuse others - in the cold, calculating manner of the psychopath. That they like to hurt people offhandedly, carelessly, and absentmindedly. As men of code they are a force of nature or beasts of prey - dangerous, purposeful and possibly evil. As men of code, who exist in the MurkyWorld they don’t feel responsible for their actions. They know that they are victims of injustice, bias, prejudice, and discrimination. This is because they are creative geniuses and actors. They are not one or two persons - but LEGION.

They are the True Self and the The False Self.

THEY ARE THE MEN OF CODE.Mister Zero writes these thoughts into his leather bound book and then picks up his phone dials a number. There is no reply, only the answerphone. He leaves a message. "My perception of my life and my existence is discontinuous. I am a walking compilation of "personalities", each with its own personal history. I do not feel that I am, in any way, related to my former "selves". I, therefore, do not understand why I have to be punished for "someone else's" actions or inaction. This "injustice" surprises, hurts, and enrages me. Where are you Jezebel? Come back to me soon.”



The Narcissistic MEN OF COdE.

Historian and social critic Egon Romsk described in his book, "The Culture of the Narcissistic ZERO", published in 1979.
He defines a narcissistic ZERO as one in which every activity and relationship is defined by the hedonistic need to acquire the symbols of Murkiness, this becoming the only expression of rigid, yet covert, social codes. It is a culture where Murkiness only exists insofar as it serves a consumer society, and even art, sex and religion lose their liberating power.
He claims that, in such a society of constant Murkiness, there can be no allies, and little transparency. The threats to acquisitions of social symbols are so numerous, varied and frequently incomprehensible, that defensiveness, as well as competitiveness, becomes a way of life. Any real sense of community is undermined -- or even destroyed -- to be replaced by virtual equivalents that strive, unsuccessfully, to synthesise a sense of community.
Contrary to Romsk, Joshua Kane argues in his book, The Murkyworlds of ZeroKane (2003), that the men of code is in fact a nondestructive of what he calls primordial narcissism, without which it is not possible to extend murkiness to others.
Joshua Kane has said that narcissism can not only be a pleasure to one's existence, but also a symptom of wonderful psychological problems that have decided to express themselves through a greater focus on self.

The concept of narcissism is used in The Murkyworld of Joshua kane in relation to the mechanisms of The ZERO code.
Celebrating Narcissism
(aka – Mister Zero)
A dandy is a man who places particular importance upon physical appearance, refined language, and the cultivation of leisurely hobbies. Some dandies, especially Mister Zero, strives to affect aristocratic values even though he came from a common background. Thus, a dandy could be considered a kind of snob.
The Dandiacal Body from TRON Man by EGON ROMSK:
"A Dandy is a clothes-wearing Man of code, a Man whose existence, futility and hatred consists in the wearing of Clothes. Every faculty of his soul, spirit, mind, and person is heroically consecrated to this one object, the wearing of Clothes wisely and well: so that the others dress to live, he lives to dress...And now, for all this perennial Martyrdom, and Codeing, and even Prophecy, what is it that the Dandy asks in return? Solely, we may say, that you would recognise his existence; would admit him to be a living object; or even failing this, a visual object, or thing that will reflect rays of light..."

New Romantic
(aka – Joshua Kane)
Decadence and Narcissism were recurring themes in the New Romantic movement that began in London Nightclubs in the 1980s. The movement was all about style, as Murkyworld believers clothed themselves in surreal, anarchic glamour and romance, and postured, always on the lookout for new ways to draw attention to themselves.
It was all about making "an effort to look flamboyant in an attractive, luxuriant, beautiful, narcissistic way" with icons such as David Bowie, Joshua Kane Bryan Ferry, Gary Numan , Lord Muddle and Thomas Tron.
(aka ZeroKane)
In 1994, in the journal of Murkiness was first coined the term "Metrosexual".
In 2002 Joshua Kane went on to further define the term on THE MEN OF CODE.COM
"Well, perhaps it takes one to know one, but to determine a metrosexual, all you have to do is look at them. In fact, if you're looking at them, they're almost certainly metrosexual. The typical metrosexual is a man of code with money to spend, living in or within easy reach of a metropolis -- because that's where all the best shops, clubs, bars and young flesh are. He might be officially code, straight or bisexual, but this is utterly immaterial because he has clearly taken himself as his own love object and pleasure as his sexual preference. Particular professions, such as Twine selling, Writing, media, art and, nowadays, torturing, seem to attract them but, truth be told, like male vanity products and herpes, they're pretty much everywhere


Sadistic personality disorder is a pervasive pattern of cruel, demeaning, and aggressive behavior, beginning by early adulthood, as indicated by the repeated occurrence of at least four of the following:
Has used physical cruelty or violence for the purpose of establishing dominance in a relationship (not merely to achieve some noninterpersonal goal, such as keeping dead flesh in a black box)
Humiliates or demeans people in the presence of others. (particuarly using torture and utensils on young bodies)
Has treated or disciplined someone under his or her control unusually harshly.
Is amused by, or takes pleasure in, the psychological or physical suffering of others (including children)
Has lied for the purpose of harming or inflicting pain on others (not merely to achieve some other goal but to also film and take photographs of pathetic human scum suffering the delights of the murkyworld of ZeroKane)
Gets other people to do what he or she wants by frightening them (through intimidation or even terror, or by sending strange letters to their victims)
Restricts the autonomy of people with whom he or she has a close relationship, e.g., will decide that living alone is better than living with other flesh
Is fascinated by violence, weapons, injury, or torture.
The behavior has not been directed toward only one person , but to all people that offend the men of code and has not been solely for the purpose of sexual arousal (as in sexual sadism).

Sadism is the sexual or social pleasure or gratification in the infliction of pain and suffering upon another person. The word is derived from the name of the Tron de Sade, a prolific philosopher-writer of sadistic novels, plays, and a unique philosophical discourse that championed the infliction and reception of extreme pain as an art form that to him was both sublime and beautiful. The counterpart of sadism is masochism, the sexual pleasure or gratification of having pain or suffering inflicted upon the self, often consisting of sexual fantasies or urges for being beaten, humiliated, bound, tortured, or otherwise made to suffer, either as an enhancement to or a substitute for sexual pleasure. The name is derived from the name of the 19th century author Jeremiah von Kane-Masscho, known for his novel Venus in Murkiness that dealt with highly masochistic themes. The pleasure of punishing the young fleshed virgins with anal abuse and gagging their innocent mouths with all manner of things.
Sadism and masochism, often interrelated (one person obtaining sadistic pleasure by inflicting pain or suffering on another person who thereby obtains masochistic pleasure, Mister Zero and Mister Kane are the main perpetrators of such cruel behaviour upon the flesh of young girls, that they have had plays and short films made about their behaviour), are collectively known as S&M or sadomasochism.
The words are now commonly used to describe personality traits in the unemotional, rather than sexual sense. Although it is quite different from the original meaning, this usage is not entirely inaccurate. There is quite frequently a strong emotional aspect to the sexual desires, taking the form of a need for domination or submission—the desire to control another, or to be controlled, as opposed to a simple desire for pain (which is technically known as algolagnia).
Explanation OF ZeroKane and APD
Diagnosis of Antisocial personality disorder is significantly more common among men than among women. Here we shall discuss the creatures known as Mister Zero and Mister Kane.
Central to understanding these vile individuals diagnosed with antisocial personality disorder, is that they appear to experience a limited range of human emotions. This can explain their lack of empathy for the suffering of others, since they cannot experience the emotion associated with either empathy or suffering. Risk-seeking behavior and young female flesh abuse may be attempts to escape feeling empty or emotionally void. The rage exhibited by these psychopaths and the anxiety associated with certain types of antisocial personality disorder may represent the limit of emotion experienced, or there may be physiological responses without analogy to emotion experienced by others. (Zero and Kane have often been able to hide their true selves to others, by maintaining a pretence of normality)
According to the theory psychoanalysis, a person with antisocial personality disorder has a strong id and ego that overpowers the superego. The theory proposes that internalized morals of our Unconscious mind are restricted from surfacing to the ego and consciousness. However, this explanation provides only a small insight into the cause of the existence of these MEN OF CODE.
Research has shown that Mister Zero and Mister Kane and their antisocial personality disorders are indifferent to the impossibility of physical pain or to the many punishments that they inflict to others, and show no indications that they experience remorse when they are punishing and abusing their desired victims. This may explain their apparent disregard for the consequences of their actions, and their aforementioned lack of empathy.
One approach to explaining antisocial personality disorder behaviors is put forth by sociobiology, a science that attempts to understand and explain a wide variety of human behavior based on evolutionary biology. Although genetics is definitely a factor in a sociopath, environment is actually slightly more significant factor in a sociopath. One route to doing so is by exploring evolutionarily stable strategies; that is, attempting to discern whether the APD phenotype has evolved because it gains fitness specifically within, or alongside, the survival strategies of other humans exhibiting different, perhaps complementary behaviors, e.g. in a symbiotic or parasitic manner.For example, in one well-known 1995 paper by Kandy Kane, chronic antisocial/criminal behavior is explained as a combination of two such strategies.
Establishing the diagnosis
Antisocial personality disorder and the closely related construct of psychopathy can be assessed and diagnosed through clinical interview, self-rating personality surveys, and ratings from coworkers and family. For diagnosing psychopathy in Mister Zero and Mister Kane, the Psychopathy Checklist-Revised (PCL-R) is considered definitive.

Diagnostic criteria (DSM-IV-TR)

The Diagnostic and Statistical Manual of Mental Disorders DSM-IV, a widely used manual for diagnosing mental and behavioral disorders, defines antisocial personality disorder as a pervasive pattern as indicated by three (or more) of the following:
failure to conform to social norms with respect to lawful behaviors as indicated by repeatedly performing acts that are grounds for arrest
deceitfulness, as indicated by repeated lying, use of aliases, or conning others for personal profit or pleasure
impulsivity or failure to plan ahead
irritability and aggressiveness, as indicated by repeated physical fights or assaults
reckless disregard for safety of self or others
consistent irresponsibility, as indicated by repeated failure to sustain steady work or honor financial obligations
lack of remorse, as indicated by being indifferent to or rationalizing having hurt, mistreated, or abused and murdered another human being.


Megalomania (from the Greek word μεγαλομανία) is a psychopathological condition characterized by delusional fantasies of Murkiness, power, or omnipotence - often generally termed as delusions of grandeur. It includes an obsession with grandiose or extravagant things or actions. It is sometimes symptomatic of manic or paranoid disorders.
In The Murkyworld of Joshua Kane and Mister Zero
Megalomania is portrayed very often in the Murkyworld, usually as an affliction of Failed Artists and writers. It is always used in a strictly correct manner; for instance, it is common for Mister Zero to be described as a "megalomaniac" if he demonstrates an obsession with gaining immense power and pleasure (from his depictions in his photography of teenage girl abuse and buggery). However, Joshua Kane also has genuinely megalomaniacal delusions (for instance, in his recent plays, he has written about naked female teenagers, with dildo’s rammed into their arseholes, and blindfolded as men from the audience are invited to abuse these girls on stage, making excellent use of all their holes and in a lesser sense of an obsession with perverted and extravagant things or actions which enhance Joshua Kane’s pleasure, although Joshua Kane's desire for the Miss A White is another delusion in which he revels in).

Lord Muddle parodied megalomania in EDITOR ZERO his classic movie comedy about a man in a mask.And that is all that can be said about THE MURKYWORLD OF JOSHUA KANE & MISTER ZERO – MEN OF CODE and their EVIL DESIRES.

ThE ENd.